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Catalog Music

梅克伦堡什未林国家剧院
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我的祖國 我的祖国/Má vlast
Mein Vaterland (tschechisch Má vlast) JB 1:112 ist ein Zyklus von sechs sinfonischen Dichtungen des tschechischen Komponisten Bedřich Smetana, der als vollständiges Werk am 5. November 1882 in Prag uraufgeführt wurde. Smetana komponierte den Zyklus zwischen 1874 und 1879 im Stadium der vollständigen Ertaubung. Die Spieldauer beträgt circa 75 Minuten.

František Xaver Sandmann (1805–1856)

 

Composer: Bedřich Smetana Artists: Janáček Philharmonic Orchestra, Theodore Kuchar (conductor) Bedřich Smetana was a forerunner of the Nationalist music movement in 19th-century Czechoslovakia, and played a large part in developing the country’s musical identity. This disc comprises Smetana’s most renowned work, the inimitable Má vlast (My Homeland), a series of six tone poems – composed over five years – that depict different elements of the landscape of the composer’s native country. Vyšehrad, or The High Castle, is the first movement, based on the castle in Prague – the residence of early Czech kings. It opens with arpeggios played by a duo of harps, and later a military element is portrayed with the help of a march theme. The second movement Vltava (The Moldau), depicts the route of the river from the mountains to its end. Šárka, the third movement, explores the Czech folklore centred on the Bohemian Amazon maiden of the same name. This is followed by Z českých luhů a hájů (From Bohemia’s Meadows and Fields); a depiction of a beautiful landscape on a sunny day. These first four movements were intended to complete the work, but after a gap of four years Smetana composed another two: Tábor, portraying the Hussite warriors who founded and defended the city of Tábor in 1420, and Blaník, named after the mountain in central Bohemia. This, the final movement, begins with the same driving rhythms as Tábor and later relents into a joyful hymn. It is easy to see how this work paved the way for Smetana to be heralded as one of Czechoslovakia’s greatest composers and patriots. The works are performed by the Janáček Philharmonic Orchestra under the baton of Theodore Kuchar. Tracklist 00:00:00 Bedrich Smetana: Má Vlast, JB 1:112: I. Vyšehrad 00:14:57 Bedrich Smetana: Má Vlast, JB 1:112: II. Vltava (The Moldau) 00:26:36 Bedrich Smetana: Má Vlast, JB 1:112: III. Šárka 00:36:16 Bedrich Smetana: Má Vlast, JB 1:112: IV. From Bohemia’s Meadows and Forests 00:48:43 Bedrich Smetana: Má Vlast, JB 1:112: V. Tábor 01:00:16 Bedrich Smetana: Má Vlast, JB 1:112: VI. Blaník Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Komponist: G. F. Händel (1685-1754) Verlag: Breitkopf 8752 Epohe/Stil: Barock
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邁寧根國家劇院 迈宁根国家剧院

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梅溪湖国际文化艺术中心
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①曲调,旋律 ②音调,抑扬顿挫
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仲夏夜之梦

作品介绍: 《仲夏夜之梦》,门德尔松为莎士比亚的喜剧《仲夏夜之梦》共写过两部音乐作品,一部是在1826年作者十七岁那年所作的钢琴四手联弹《仲夏夜之梦》序曲,次年改编成管弦乐曲,被称为是音乐史上第一部浪漫主义标题性音乐会序曲;另一部是1843年为《仲夏夜之梦》所写的戏剧配乐,其中的序曲就选用了当年所作的序曲。   《仲夏夜之梦》序曲是门德尔松的代表作,它曲调明快、欢乐,是作者幸福生活、开朗情绪的写照。曲中展现了神话般的幻想、大自然的神秘色彩和诗情画意。全曲充满了一个十七岁的年轻人流露出的青春活力和清新气息,又体现了同龄人难以掌握的技巧和卓越的音乐表现力,充分表现出作曲家的创作风格及独特才华,是门德尔松创作历程中的一个里程碑。

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《门德尔松-无词歌》
  雅克勃·路德维希·费里尔·门德尔松-巴托尔迪 (Jakob Ludwig Felir Mendelssohn-Bartholdy,1809-1847),德国作曲家,生于汉堡,12岁开始创作,17岁即完成《仲夏夜之梦序曲》,21岁起 研究和整理巴赫的作品,为这位音乐之父的作品得以复生作出了最重要的贡献。27岁在莱比锡任指挥,1843年创办德国第一所音乐学院,38岁时即病故。他 在短暂的一生中创作了大量的各种体裁的音乐作品,作品风格温柔舒适、优美恬静、完整严谨、极少矛盾冲突、富于诗意幻想,反映出他生活上的安定富足。他的交 响曲《苏格兰》、《意大利》,序曲《芬格尔山洞》,《平静的海与幸福的航行》,《e小调小提琴协奏曲》等都是著名作品。 浪漫派的时代,钢琴音乐的潮流是从传统的四乐章奏鸣曲,转向随意的、可长可短无拘无束的独立曲式,包括各种舞曲、组曲、夜曲、即兴曲、变奏曲、叙事曲、谐 谑曲以及标题诗化的钢琴曲,就像我们在舒曼、肖邦、勃拉姆斯乃至李斯特的作品年表上看到的那样。虽然这批浪漫派精英也多少都写过几首传统的奏鸣曲,但他们 的钢琴音乐的主体部分或者说精华部分,显然不是建立在传统奏鸣曲之上的。仅是这一点就跟贝多芬和舒伯特有所差异了。通常这也被认为是古典派和浪漫派的一道 分水岭。而这道分水岭,最初就是出现在门德尔松的键盘上。他的钢琴作品不很多,《无词歌》要算代表作了。 陆续写了15年(而他总共才活到38岁!)的《无词歌》,分为八卷出版(作品第19,30,38,53,62,67,85,102号),每卷各是六首,加 起来总共48首。都不长,但每一首都有歌唱性旋律及其伴奏,都是完整的歌曲形式,名符其实的“无词歌”,精致、隽永、妩媚可人且富创意。
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《a小调 第三交响曲"苏格兰"》

作品介绍: 《a小调 第三交响曲"苏格兰"》,作于1842年,当年在柏林首演。这部作品是门德尔松1829年访问苏格兰时开始构想的,后赴意大利,开始写作,又搁置多年终于在1842年完成。门德尔松自己称它为"苏格兰交响曲",此曲奉献给当时。 该曲实际完成时间要比其第四和第五交响曲都晚,但编号相反。

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门德尔松 - 小提琴协奏曲

小调《小提琴协奏曲》,这首小提琴协奏曲作于1838-1844年间,于1845年首次上演。门德尔松的小提琴协奏曲中,这一首是最为著名的,与贝多芬的 D大调,勃拉姆斯的D大调和柴科夫斯基的D大调小提琴协奏曲并称为世界四大小提琴协奏曲。整部作品充满了柔美的浪漫情绪和均匀齐整的形式美,小提琴的处理手法精妙绝伦,旋律优美,技巧华丽,达到了登峰造极的境界,不仅是门德尔松最杰出的作品,也是德国浪漫乐派诞生以来,最美丽的小提琴代表作。有人甚至认为这部作品是小提琴协奏曲的"压卷之作"。全曲由三个乐章构成,乐章之间不中断地连续演奏,这在当时算是新的手法,作曲者可能意在防止具有浪漫氛围的快速流动被切断;而各乐章却各自独立,体现了门德尔松以古典派传统为基础,并灌入新时代气息的典型作风。

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虛假的警示
贾科莫‧普契尼 Giacomo Puccini
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