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Catalog Art

瑪麗亞祭壇 玛丽亚祭坛
Datum um 1437 Medium Öl auf Eichenholz Maße 33,1 x 27,5 cm (geschlossener Zustand), Breite der Flügel, je 13,6 cm

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玛丽莲

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玛丽莲画像
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瑪麗蓮·夢露 玛丽莲·梦露
1953 by Alfred Eisenstaedt
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海景画
http://www.net4info.de/photos/cpg/albums/userpics/10001/Marine.jpg
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夕阳下的舰队/Marine, soleil couchant
http://www.net4info.de/photos/cpg/albums/userpics/10001/Marine2C_soleil_couchant.PNG
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马里奥·普拉西诺斯 (* 12. August 1916 in Konstantinopel; † 23. Oktober 1985 in Paris)
http://www.net4info.de/photos/cpg/albums/userpics/10002/normal_Mario_Prassinos.jpg
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马克·托比(* 11. Dezember 1890 in Centerville, Vereinigte Staaten; † 24. April 1976 in Basel, Schweiz)
http://www.net4info.de/photos/cpg/albums/userpics/10001/normal_mark_tobey.jpg
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马库斯·吕佩尔茨 (* 25. April 1941 in Reichenberg)

 

马库斯·吕佩尔兹(Markus Lüpertz),1941年4月25日生于波希米亚的莱布瑞克,1948年举家迁往德国西部。他曾干过一年煤矿工人,后在杜塞尔多夫学院学习,1962 年到柏林。1970年获得艺术奖学金资助,使他有机会在佛罗伦萨学习生活一年。次年,赢得德国批评家协会奖。1974年,参加首届柏林双年展。1977 年,他拒绝参加第六届卡塞尔文献展。但是在1981年,他改变了主意,参加了该年举办的第七届卡塞尔文献展,同年,完成了歌剧《文森特》的舞台设计。 1984年,他游览了纽约,并发表《纽约日记:1984》。1994年,参加“德国艺术1964-1994”展。吕佩尔兹是70年代最活跃的德国艺术家之 一,擅长绘画和雕塑,他的作品为欧美多家大博物馆收藏。他还是一个诗人,出版有好几本诗集。变化多端和强烈的视觉冲击力是其艺术的特征。吕佩尔兹的艺术不 回避政治,不回避历史,他冷静、大胆地直面当时分裂的日耳曼民族和德意志国家不光彩的纳粹时期,他把纳粹的一些标志和象征移用于自己的作品里,创造了极为 独特而令人震惊的画面,充满隐喻和象征。吕佩尔兹自己也说:“我的画里充塞了对于未来的秘密符号,我自己不懂,观众也不明白。”

(Quelle:http://www.artda.cn)

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玛丽马
The Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou, showing two rearing horses with their groom. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719.

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薩迪斯阿耳特彌斯神廟的大理石柱 萨迪斯阿耳特弥斯神庙的大理石柱
Metropolitan Museum of Art Adresse: 1000 5th Ave, New York, NY 10028, Vereinigte Staaten

 
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时髦婚姻
http://www.net4info.de/photos/cpg/albums/userpics/10002/Marriage_a-la-mode.jpg
The Marriage Settlement
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