A top hat (also called a high hat, a cylinder hat, or, informally, a topper) is a tall, flat-crowned hat for men traditionally associated with formal wear in Western dress codes, meaning white tie, morning dress, or frock coat. Traditionally made of black silk or sometimes grey, the top hat emerged in Western fashion by the end of the 18th century. Although it declined by the time of the counterculture of the 1960s, it remains a formal fashion accessory. A collapsible variant of a top hat, developed in the 19th century, is known as an opera hat.
An ascot tie, ascot or hanker-tie is a neckband with wide pointed wings, traditionally made of pale grey patterned silk.[citation needed] This wide tie is usually patterned, folded over, and fastened with a tie pin or tie clip. It is usually reserved for formal wear with morning dress for daytime weddings and worn with a cutaway morning coat and striped grey formal trousers. This type of dress cravat is made of a thicker, woven type of silk similar to a modern tie and is traditionally either grey or black.[citation needed] A more casual form of ascot is in British English called a cravat, or sometimes as a day cravat to distinguish it from the formal ascot or dress cravat. The casual form is made from a thinner woven silk that is more comfortable when worn against the skin, often with ornate and colourful printed patterns.
The ascot is descended from the earlier type of cravat widespread in the early 19th century, most notably during the age of Beau Brummell, made of heavily starched linen and elaborately tied around the neck. Later in the 1880s, amongst the upper-middle-class in Europe men began to wear a more loosely tied version for formal daytime events with daytime full dress in frock coats or with morning coats. It remains a feature of morning dress for weddings today. The Royal Ascot race meeting at the Ascot Racecourse gave the ascot its name, although such dress cravats were no longer worn with morning dress at the Royal Ascot races by the Edwardian era. The ascot was still commonly worn for business with morning dress in the late 19th and very early 20th centuries.
In 1999, Lord Portman became the 10th Viscount and began work on rejuvenating the Estate.
Over the last 20 years, the development of the Estate has gone from strength to strength. We actively manage the property assets, both directly as a landlord to an ever-increasing number of residential and commercial customers, and through our relationships with long-term leaseholders.
We aim to be at the forefront of
property management and placemaking in Central London. This is an example of how an estate can combine a modern, agile and forward-thinking approach to its activities, while remaining loyal to its history, heritage and values.
The Portman Estate dates back to the 16th century, when Sir William Portman, Lord Chief Justice to King Henry VIII,[5] and originally from Orchard Portman in Somerset, leased 270 acres of the Manor of Lileston (Lisson). He acquired the freehold in 1554, but most of the land remained farmland and meadow until the mid-18th century and the building boom after the end of the Seven Years' War in 1763.
In the 1750s William Baker had leased land from the family to lay out Orchard and Portman Streets, and the north side of Oxford Street. Henry William Portman, a descendant of Sir William, continued the development in 1764 with the creation of Portman Square, with buildings by James Wyatt, Robert Adam and James 'Athenian' Stuart, including Montagu House, built in the north-west corner for the famed literary hostess Elizabeth Montagu and later used by the Portman family as their London town house.
Portman Square was the focus of the new estate and was followed by the building of Manchester Square during the 1770s and Bryanston and Montagu Squares 30 years later. These were laid out by the Estate's architect, James Thompson Parkinson. The area remained largely residential, attracting the prosperous middle class who wanted to live near the centre of London. There were also mews for tradesmen and servants. At the southwest corner of the Estate, where Marble Arch now stands, was the Tyburn gallows, London's principal place of public execution until 1783.
Development of the area north of the Marylebone Road around Dorset Square continued after 1815, and to the North West in Lisson Green, workers’ cottages were built from 1820 to 1840. Many of the original Georgian houses north of Portman Square were redeveloped as mansion blocks, which were let on long leases. This development spread along the major traffic routes of Edgware Road and Baker Street.
In 1948 the Estate, then valued at £10 million, was subject to death duties of £7.6 million on the death of the seventh Viscount Portman, resulting in the sale of all the family's West Country estates as well as the northern part of the London Estate in 1951, and the area around Crawford Street the following year. In the later 1950s and 1960s the Estate collaborated with the developer Max Rayne to redevelop the frontage of Oxford Street and Baker Street, as well as the south and west sides of Portman Square.
